Here are some Witch's Castles I was developing for a project at DreamWorks that got shelved. It was a cool project, and sadly it'll probably never see the light of day.
This is the interior of the room below the central dome, from the first image.
PAUL LASAINE: Portfolio
Production Designer • Art Director • Concept Artist • Illustrator • Matte Artist
Welcome to my my Portfolio Page.
This is where you'll find my professional work (and some personal pieces as well).
As always, I'm unable to post my current work, as it's for films that have yet to hit the big screen.
Don't forget to visit my BLOG. There's more of my work there, plus a bunch of other fun stuff.
This is where you'll find my professional work (and some personal pieces as well).
As always, I'm unable to post my current work, as it's for films that have yet to hit the big screen.
Don't forget to visit my BLOG. There's more of my work there, plus a bunch of other fun stuff.
Thursday, January 31, 2013
Friday, March 16, 2012
Abstract Environments
Saturday, November 5, 2011
Puss In Boots
Finally...some stuff I can show!
Way back in 2008, I worked for a few months helping to develop Puss In Boots. Here's a couple character concept paintings I did.
KITTY
Credit for the design of this character, goes to a lot of people. This early version was designed by Patrick Mate, Sylvain Deboissy, Takao Noguchi, and myself. At that point, we were going for a much more dynamic look for her. Stark black and white; clean lines; smooth, shiny fur...the cat version of Emma Peel. It was important that she had a very different look from that of Puss. We didn't want her to look like we cheaped out and just used the model for Puss with a different color scheme.
Funny note about this painting: It was leaked a year and a half ago by someone at DreamWorks (not sure if it was leaked or "released") as a sneak peak at Puss's new counterpart, and it ended up all over the net. Ha, ha!


HUMPTY
Humpty was designed by Character Designer, Patrick Mate. I did this painting over an early model done by Modeling Supervisor, Tony Williams.

Sometimes, I'll bring these kinds of paintings to an extremely high level of finish and detail. This was done as a design for the finished look of the textures for this character, and I didn't want there to be ANY questions as to what it should look like. Yes, there's some photo collage.
Way back in 2008, I worked for a few months helping to develop Puss In Boots. Here's a couple character concept paintings I did.
KITTY
Credit for the design of this character, goes to a lot of people. This early version was designed by Patrick Mate, Sylvain Deboissy, Takao Noguchi, and myself. At that point, we were going for a much more dynamic look for her. Stark black and white; clean lines; smooth, shiny fur...the cat version of Emma Peel. It was important that she had a very different look from that of Puss. We didn't want her to look like we cheaped out and just used the model for Puss with a different color scheme.
Funny note about this painting: It was leaked a year and a half ago by someone at DreamWorks (not sure if it was leaked or "released") as a sneak peak at Puss's new counterpart, and it ended up all over the net. Ha, ha!


HUMPTY
Humpty was designed by Character Designer, Patrick Mate. I did this painting over an early model done by Modeling Supervisor, Tony Williams.

Sometimes, I'll bring these kinds of paintings to an extremely high level of finish and detail. This was done as a design for the finished look of the textures for this character, and I didn't want there to be ANY questions as to what it should look like. Yes, there's some photo collage.
Friday, November 12, 2010
Metrocity Burning
Wednesday, July 7, 2010
The Wreck of the Albatross
Thursday, May 6, 2010
Death Valley Sketch
I finally found a couple of my paintings from the Prince of Egypt Background Department painting trip to Death Valley. Here's the best one...
We were painting in the middle of a large patch of sand dunes, when the wind started blowing. It whipped up the sand into a mini sandstorm. The sand went everywhere and got into everything...including our paint. If you run your hand across it, the painting feels like sandpaper. It finally got so bad that we all ended up wearing out sweatshirts around our faces to keep the sand out of our eyes. We looked like Bedouins.
We were painting in the middle of a large patch of sand dunes, when the wind started blowing. It whipped up the sand into a mini sandstorm. The sand went everywhere and got into everything...including our paint. If you run your hand across it, the painting feels like sandpaper. It finally got so bad that we all ended up wearing out sweatshirts around our faces to keep the sand out of our eyes. We looked like Bedouins.
Friday, April 23, 2010
Valentina
I painted this portrait of my wife a few years back to be used as a prop in one of my many Halloween setups at our house. I was a projected ghost painting the portrait. Sadly I don't have any pictures of the final effect. But you can see a similar effect I put together of a ghost playing the piano in our front window. http://www.youtube.com/watch?v=EntsUMlHAzs
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